⭐ 專場講座－透過音樂會詮釋唯聲作品：歷史與實踐 ⭐
Interpretation of Acousmatic Works in Concert: History and Practices
講者｜保羅・哈瑪哲 Paul Ramage
＊法文演說、中文口譯（in French with interpretation in Chinese)
在聲音工作室創作、隨時間推移而固定在各種音訊媒體上的唯聲作品，只有透過音樂會的中介才能真正觸及聽眾。唯聲作品一如電影，後者唯有透過放映，人們才能從其所有的空間和想像的維度上加以欣賞。投影帶領沉浸在空間中的聽眾深入作品表現力的核心，並予以細化、展露，並在更寬廣的維度上豐富人們的感知，超越了單純的立體聲聆聽。在這場講座中，作曲家暨音樂家保羅・哈瑪哲將介紹透過音樂會詮釋唯聲作品的歷史與相關的實踐。
Acousmatic works composed in the studio and fixed over time on various audio media can only truly meet their audience through mediation of the concert. Like a cinema film, the acousmatic work needs to be projected so as to be appreciated in all its spatial and imaginary dimension. Immersion in the space of projection plunges the listener into the heart of the expressiveness of the work, details it, reveals it, and enriches the public's perception in a broader dimension than just stereophonic listening. In this lecture, composer and musician Paul Ramage will present the history and practices of interpretation of acousmatic works in concerts.
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📅日期/時間：9/6 (五) 15:00
⏰活動長度：講座全長約90分鐘
📍演出地點：臺灣當代文化實驗場 臺灣聲響實驗室 立體聲場
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