兩場工作坊將概括性介紹與本場主題有關的既有系統、著名藝術作品和表演，以及一些技術面向與基礎理論，以及藝術領域與創意層面所使用的各種AI工具，例如：
音訊製作工具：FluCoMa、TorchAudio
生成視覺：Autolume
互動性工具：Livepose、Wekinator、Edge Impulse
工作坊(一)：用於音源庫操作與生成式圖像的人工智慧本場將重點介紹與實際操作的AI工具包括：用於智慧音效庫操作的 FluCoMa，及以處理客製化即時生成式圖像小數據的 Autolume。
工作坊(二)：以 camera-vision 和嵌入式系統實現互動性的人工智慧本場將重點介紹與實際操作在透過 Camera-vision、機器學習和嵌入式系統進行互動的 AI 工具。活動中將介紹的工具如：用於識別 Camera-vision 的動作的 Livepose 和 Wekinator，以及用於促進體現互動（Embodied Interaction）的嵌入式 AI 模型的 Edge Impulse。
時間：
工作坊(一) 11/16(SAT) 10:00-12:30
工作坊(二) 11/16(SAT) 14:00-17:30
地點：臺灣聲響實驗室立體聲場
人數：15名
※全程英文進行
▌是否需專業背景？
無需具備特定背景，歡迎對音訊、音樂或聲音領域感興趣者參與。倘若對「DAW」有一定接觸者，將能在工作坊中完成更多練習。
▌是否需自備筆電及軟體？
是，參與者需自備筆電，並建議提前下載 Reaper DAW 與Wekinator 軟體。
工作坊（一）：進階參與者可提前安裝 ComfyUI。
工作坊（二）：請使用您所熟悉的 DAW、或使用 Reaper DAW 與 Wekinator 軟體。
講者簡介
▌查爾斯・畢卡希
系統設計師和音訊製作人，擁有數位音樂（2019年）、電腦和電子系統（2023年）學位。於SAT科技藝術中心擔任整合專員和系統設計師，研究面向著重在透過技術發展來進行藝術性詮釋的全新可能。其專案涉及為藝術創作設計嵌入式系統，以及為現場藝術和互動媒體創作沉浸式的聲音體驗。
▌馬雷克・布羅提埃爾
於法國國立科學研究院（the Institut National de la Recherche Scientifique, INRS）取得文化與數位研究碩士，馬雷克・布羅提埃爾在研究期間負責「AI塑形計畫」（Shaping AI project），聚焦於加拿大的媒體生態系，以及其對於AI文化政策的影響。2023年，布羅提埃爾加入SAT科技藝術中心的創新團隊，擔任專案經理、AI與藝術培訓師，參與各項專案，如集體沉浸、互動性及聲響空間化等計畫。
▶ 活動免費參加，名額有限，額滿為止。
▶ 活動前將再寄發提醒通知。因 C-LAB 信箱易被 Gmail 判定為垃圾郵件，若未收到請查看垃圾信箱。
▶ 主辦單位保有調整與變更活動之權利。
Two workshops will provide an overview of existing systems, notable artworks, and performances related to the workshop topics, as well as cover some technical aspects and theory for general knowledge. They will also present the use of diverse artificial intelligence tools in the context of arts and creativity, such as:
Audio Creation Tools: FluCoMa, TorchAudio
Generative Visuals: Autolume
Interactivity Tools: Livepose, Wekinator, Edge Impulse.
Workshop 1: AI for audio sound bank manipulation and generative visuals
This workshop will introduce and provide hands-on practice with AI tools: FluCoMa for intelligent audio soundbank manipulation as well as Autolume for small data dedicated to custom-tailored generative visuals. Participants will get a broad overview of new practices and available AI tools and try them out through a hands-on activity.
Workshop 2 : AI for interactivity through camera-vision and embedded systems
This workshop will introduce and provide hands-on practice with AI tools for interactivity through camera-vision, machine learning and embedded systems. We will cover tools such as : Livepose and Wekinator for camera-vision motion-recognition, Edge Impulse for embedded AI models facilitating embodied interaction.
Time:
Workshop 1: 11/16 (SAT) 10:00-12:30
Workshop 2: 11/16 (SAT) 14:00-17:30
Venue: Spatial Audio Field, TAIWAN SOUND LAB
Number of Participants: 15
*The workshop will be conducted entirely in English.
▌Is a professional background required?
No specific background is necessary. However, individuals with an interest in audio, music, or sound are encouraged to participate. Familiarity with a Digital Audio Workstation (DAW) is not required but may enhance the learning experience during the workshop.
▌Are participants required to bring their own laptops and software?
Yes, participants are required to bring their own laptops. It is recommended to download Reaper DAW and Wekinator in advance.
For Workshop 1, advanced participants may also install ComfyUI.
For Workshop 2, please use the DAW you are familiar with, or alternatively, Reaper DAW and Wekinator.
Speaker Bio
▌Charles Bicari
Charles Bicari is a system designer and audio producer with degrees in Digital Music (2019) and Computer and Electronic Systems (2023). He works as an integrator and system designer at the Society for Arts and Technology, with research interests focused on new possibilities for artistic interpretation through technological development. His projects involve designing embedded systems for the arts as well as composing immersive sound experiences for live arts and interactive media.
▌Marek Blottière
Marek Blottière holds a Master's in Cultural and Digital Studies from the Institut National de la Recherche Scientifique (INRS). During his studies, he was a researcher for the Shaping AI project, where he focused on the Canadian media ecosystem and how it shapes AI cultural policy. In 2023, Marek joined the Innovation team at the Society for Arts and Technology (SAT) as a project manager and trainer on arts and AI. Since then, he has been involved in various projects involving collective immersion, interactivity and sound spatialization.
▶ Free Admission via Online Registration.
▶ A reminder will be sent to your email prior to the event. If you didn’t receive it, please check your Spam or Junk email.
▶ The organizer reserves the right to change, adjust, or cancel the event.
