《Untold Story 未盡之語/旅》源自於一段關於悲傷、生存和記憶的深刻私人檔案，它溫柔地描繪了一個家庭最終離別的歷程，它也訴說了人類共同的渴求，關於愛，關於和平
Born from a deeply personal archive of grief, survival, and memory, “Untold Story” is a tender mapping of the final farewells that shape a family. It also chants the shared human longings: love and peace.
關於《未竟之語/旅》演出｜About the Performance
持續創作與發表的生命歷程與作品，偶戲、默劇、影像與音樂
故事始於母親的離世，這場悲劇將三兄妹和父親，從此分散到不同的地方，當政治動盪迫使父親流亡，他們個人生活的邊界，再度被徹底重新劃分，傷痛與愛交織著，他們在離散、相聚與不確定中移動。
父親在海外邊境，已經過了長達數年的流亡生活，這個家庭被迫秘密地在不同的邊境會面，不斷的躲藏和令人窒息的暴力陰影下，艱難地繼續生活；在這變幻莫測的流亡之地，他們努力開闢出小小的、平凡的避風港，例如：哥哥為弟妹做飯，企圖找回記憶中母親料理的味道，他們秘密地探望父親，分享故事並且始終懷抱希望。
這部作品並非討論政治，而是將鏡頭轉向每一個生命的個體的內心，描繪那些被迫失去，被留下的人，心中那份靜默而巨大的空洞：他們渴望、等待和沈默。
《Untold Story 未盡之語/旅》巧妙地融合了對白與偶戲，一個個的偶化身為深刻的愛與記憶的象徵，存在與缺席，在荒漠的國境邊糾纏。這部作品帶領觀眾踏上一段感人至深的旅程，探索愛、分離以及人類那顆堅韌不拔、仍敢於追夢的心，無論被迫漂泊到多遠的地方，人類共同的追求，依舊是愛，渴求的救贖，是和平。
The story begins with the death of the mother—a tragedy led three siblings and their father to different places. When political turmoil forces the father into exile, the boundaries of their personal lives are once again radically redrawn. With grief and love intertwined, they navigate separation, reunion and uncertainty.
The father has spent years in exile in borderlands far from home. Forced to meet in secret at different borders, the family struggles to carry on, constantly hiding beneath the suffocating shadow of violence.
Amid the unpredictability of exile, they try to create small havens in everyday life: the elder brother cooks for his younger siblings, hoping to recover the remembered flavours of their mother’s cooking; they visit their father in secret, sharing stories and holding on to hope. Rather than examining politics, the work turns its gaze towards the inner lives of individuals, portraying the quiet yet immense void within those forced to endure loss and those left behind—their longing, their waiting and their silence.
Untold Story deftly weaves together dialogue and puppetry. Each puppet embodies profound love and memory, as presence and absence intertwine in the barren borderlands. The work takes audiences on a deeply moving journey through love, separation and the resilience of the human heart, which still dares to dream. However far people are forced to wander, love remains their shared pursuit, and peace the redemption they long for.
Photo Credit MCH｜2026年6月呈現
關於 Wasu Wanrayangkoon｜About the Artist
Wasu是一位來自泰國的表演藝術家、導演和製作人；他的藝術創作與表現，始終探索著多樣的敘事形式，專長的表演形式涵蓋：默劇、小丑表演、形體劇和偶戲。
他曾與泰國「默劇團體Khonnakhao」合作，也是泰國當代戲劇界很活躍的「B-Floor劇團」之核心成員，「B-Floor劇團」的創作和表演，以關注社會議題，在藝術作品中反映政治、社會議題的藝術作品而聞名。
Wasu本身也是獨立表演團體「Underduck劇團」的創辦人，除了表演和導演的工作外，他也積極參與藝術節的製作和跨國文化交流計劃。他是主辦曼谷國際啞劇節（Konrakmime Festival）的核心成員之一，目前也擔任「曼谷Puppet Slam藝術節」製作人，該藝術節以當代偶戲、物件劇場和視覺性表演為藝術節的核心。
Wasu is a Thai performer, director, and producer. His artistic practice explores various forms of storytelling through pantomime, clowning, physical theatre, and puppetry. He has worked with Khonnakhao, a Thai pantomime group, and is currently a member of B-Floor Theatre Group, a physical theatre company known for its socially engaged performances and works that reflect political and social issues.
Wasu is also the founder of Underduck, an independent performance group. Alongside his work as a performer and director, he has been active in festival production and cultural exchange. He is one of the organizers of Konrakmime Festival, an international pantomime festival in Bangkok, and currently works as a producer for Puppet Slam in Bangkok, a festival dedicated to contemporary puppetry, object theatre, and visual performance.
Photo Credit MCH
演出資訊｜Info for the Performance
場次｜2026年11月26日(四) - 2026年11月27日(五)19:30（19:00開放入場）
Time｜7:30PM November 26, 2026 (Thu) - November 27, 2026 (Fri)
地點｜台北偶戲館4樓黑箱劇場
Venue｜ Black Box Theatre, 4F, Puppetry Art Center of Taipei
票價｜免費索票 ACCUPASS平台
Admission｜ Free admission with a ticket from ACCUPASS
◎ 本節目為實驗偶戲，非兒童戲劇，恕僅供10歲以上觀賞。
◎ 演出約55分鐘，演後參與式活動約45分鐘（總長度約100分鐘）。
◎ 因演出紀錄需求，現場將會有攝錄影紀錄。露出管道包含但不限於網路、電視、紙本及平面媒體。前來觀賞即視爲同意授權個人肖像使用。
◎ This is an experimental puppetry performance and is not intended for children. Recommended for audiences aged 10 and above.
◎ The performance lasts approximately 55 minutes, followed by a 45-minute participatory post-show activity (total duration: approximately 100 minutes).
◎ For documentation purposes, the performance will be photographed and filmed. Recorded footage may be used across, but not limited to, online platforms, television, print publications, and other media. By attending the performance, you are deemed to have agreed to the use of your image and likeness for these purposes.
特別感謝本計畫的核心合作機構｜Special Thanks
感謝利澤國際偶戲藝術村的Mohamed Fita Helmi Bin Tahir 接受邀請，與泰國藝術家Wasu將已經持續發展三年的”Untold Story“ 作品（此作品前身是Wasu於2023年，在臺灣參與為期三個月的「MCH專業交流計劃」時，受到台北偶戲館邀請，所創作與發表的偶戲短篇 “The Last Egg”），一起進行再演繹及再創作；藝術村也將於11月接待Wasu進駐宜蘭的偶戲村，在設計偶、製偶及製作上發展與精進，偶戲村以多元的模式與ＭCH合作，協力辦理跨國共製計畫。
感謝台北偶戲館與MCH的跨組織合作，投入其專業藝術場館、人才培育平台和推廣展演活動的專業技術和經驗；為這個跨國共製計畫，搭建另一種跨國共製的模式和夥伴關係，並總是耐心地持續培育臺灣及國際的藝術家的發展。
This production was made possible with the support of the following organizations. We would like to express our sincere gratitude to Mohamed Fita Helmi Bin Tahir of the Lize Puppet Art Colony for accepting our invitation to collaborate with Thai artist Wasu on a reinterpretation and further development of Untold Story, a work that has been evolving over the past three years.
The work originated from The Last Egg, a short puppetry piece created and presented by Wasu in 2023, when he was invited by the Puppetry Art Center of Taipei to develop a work during his three-month participation in the MCH Professional Exchange Programme in Taiwan. In November, the Lize Puppet Art Colony will also host Wasu for a residency in Yilan, where he will further develop and refine the work through puppet design, puppet-making, and production. Through its diverse approaches to collaboration with MCH, the Colony is helping facilitate this international co-production project.
We are grateful for the cross-organizational collaboration between the Puppetry Art Center of Taipei and MCH, which brings together the expertise and resources of a professional arts venue, an artist development platform, and the technical and practical experience of presenting and promoting artistic performances. This partnership establishes an alternative model of international co-production and fosters new forms of collaboration and partnership across borders. We deeply appreciate the patience, dedication, and ongoing commitment of all involved in nurturing the artistic development of both Taiwanese and international artists.
Photo Credit PACT｜2023年台北偶戲館偶戲衝擊波「The Last Egg」呈現
關於《什麼是你想留住的？》參與式活動｜About the 《What would you like to hold on》
《What would you like to hold on 什麼是你想留下的》是李佩珊為這次計畫，所策劃的參與式活動，當一場演出所訴說的故事，可能關於悲傷，攸關生存，也是深埋記憶的失去和傷痛，它也訴說了人類共同的生命經驗，以及渴求：關於愛，關於和平；我們或許各自感受到了什麼，關於演出，或是關於自身。
“What would you like to hold on” is a participatory activity curated by Panthea LEE for this project. When a performance tells a story, it may be about sadness, survival, or the loss and pain in the deeply buried memories. It also tells about the shared experience of mankind and the yearning: about love and peace. We may feel something, about the performance, or about ourselves.
在《未盡之語/旅》演出後，她歡迎大家選擇留下來，緩一口氣，也許是回味演出，也許是與身邊認識的或是不認識的人一起，再待一會。她邀請留下來的朋友，一起在一塊布上，寫下文字或畫下圖像，也許是關於演出帶來的感受，或是生命中，你想留下或珍藏的事物。
你可以自在地選擇，是否參與，以及你想參與的方式與程度。
After the performance, stay for a gentle moment to reflect, take a breath, and connect with others. Together, we’ll add words or images to a shared cloth, responding to what the performance brought up and what we want to hold onto. Join in as much or as little as you wish.
關於李佩珊｜About Panthea Lee
李佩珊是寫作者、文化工作者與跨領域引導者，探索在斷裂與剝奪之中，人們如何仍能感知彼此、回應彼此。她的實踐源於在三十多個國家與爭取尊嚴及正義的社群同行的經驗，主要於全球南方，並融合民族誌研究、身體取向引導與社會正義調解。她透過集體儀式與參與式藝術，探索人們如何建立連結、照料生命中重要的事物。她持續照料一座隨行旅而展開的參與式祭壇，曾於巴西、寮國與台灣召集聚會。她的文章曾刊登於《The Nation》、《ArtReview》與《In These Times》。
Panthea Lee is a writer, cultural worker, and transdisciplinary facilitator exploring how people remain alive to one another through rupture and dispossession. Her practice draws on work alongside communities struggling for dignity and justice across more than thirty countries, primarily in the Global South, and brings together ethnographic research, embodied facilitation, and social justice mediation. Through collective ritual and participatory art, she explores how people build relationships and care for what matters. She tends a traveling, participatory altar, with gatherings held across Brazil, Laos, and Taiwan. Her writing has appeared in The Nation, ArtReview, and In These Times.
緣起｜Begins
國際生活藝術組織臺灣辦事處(Living Arts International，又名Mekong Cultural Hub湄公河文化中心，MCH)自2018年起與臺灣文化部穩定合作，共同促進臺灣與東南亞的藝術文化工作者及機構，建立網絡、多邊雙向文化交流及跨國合作，即將邁入第十年的MCH，在臺灣與國際的贊助機構、夥伴、機構們共同努力下，累積成果和能見度，彰顯贊助單位與合作夥伴單位共同創造的文化影響力；顯示臺灣與東南亞，從交流、耕耘到發展多元合作，創造了具有長久影響力的成果。
2026年湄公河文化中心再度規劃台灣與東南亞的跨國藝術合作計畫，促成臺灣與泰國的藝術工作者，在表演藝術作品上跨國合作及展演。參與計劃的泰國劇場/默劇/偶戲藝術家Wasu Wanrayangkoon，2023年在臺灣進駐交流期間，參與台北偶戲館「2023 Taipei Puppet Slam偶戲衝擊波」，首次發表短篇作品「The Last Egg」，他回到泰國後一直繼續發展該作品。今年返回台灣以此作品為基礎，與利澤國際偶戲藝術村在作品發展及製作上合作。
此跨國藝術作品的展演旅程，2023年在「台北偶戲館」展開，2026年6月於台北進行階段性的實驗發表，當時獲得台灣觀眾及亞洲各國貴賓的迴響；該作品持續的發展，11月將再度回到台灣展演，也獲得台北偶戲館支持，將於館內黑箱劇場發表更成熟的完整作品「Untold Story 未盡之旅/語」。此作品今年將於11月26、27 日於台北偶戲館黑箱劇場免費索票演出。
受到Safe Havens Meeting國際論壇的邀請，此作品將於12月3日於暹粒演出。
Living Arts International Taiwan Office, also known as Mekong Cultural Hub (MCH), has maintained a steady partnership with Taiwan's Ministry of Culture since 2018. Together, they have supported artists, cultural practitioners, and organisations in Taiwan and Southeast Asia in building networks, fostering multilateral and reciprocal cultural exchange, and developing international collaborations. Ahead to its tenth year, the collective efforts of funders, partners, and organisations in Taiwan and internationally have generated achievements and increased visibility, demonstrating the cultural impact created through their shared contributions. These outcomes reflect how sustained exchange and relationship-building between Taiwan and Southeast Asia have developed into diverse collaborations with lasting impact.
In 2026, Mekong Cultural Hub once again initiated an international artistic collaboration programme connecting Taiwan and Southeast Asia, bringing together artists from Taiwan and Thailand to collaborate on the development and presentation of a performing arts production. Thai theatre, mime, and puppetry artist Wasu Wanrayangkoon first presented his short piece, The Last Egg, at the Puppetry Art Center of Taipei's “2023 Taipei Puppet Slam” during his participation of MCH's professional Exchange program in Taiwan in 2023. After returning to Thailand, he continued to develop the art work. This year, he returned to Taiwan to collaborate with the Lize Puppet Art Colony on its further development and production.
The work's international performance journey began at the Puppetry Art Center of Taipei in 2023. In June 2026, an experimental work-in-progress presentation in Taipei received positive responses from Taiwanese audiences and guests from across Asia. As the work continues to evolve, it will return to Taiwan in November. With support from the Puppetry Art Center of Taipei, a developed and complete production, Untold Story, will be presented at the centre's Black Box Theatre on November 26 and 27. Admission is free, with tickets available by reservation.
At the invitation of the Safe Havens Meeting international forum, the production will also be performed in Siem Reap on December 3.
