˖° 2026 聲徜音樂節：Wandering °˖
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立體聲響與沉浸式音像展演 #2
Spatial Sound & Immersive Audiovisual Series #2
Samuel Barbier-Ficat、Demsky、Diemo Schwarz×黃雅農、王仲堃
Samuel Barbier-Ficat、Demsky、Diemo Schwarz×HUANG Ya-Nung、WANG Chung-Kun
✦ 演出時間 Time：
9/19 SAT 19:30｜120min
✦ 地點 Venue｜空總國家文化基地 Kong Zong Cultural Base
（臺北市大安區建國南路一段177號｜No. 177, Sec. 1, Jianguo S. Rd., Da'an Dist., Taipei City 106, Taiwan (R.O.C.)）
📍空總劇場｜Theater
🎫 索票額滿後，仍可現場候補 🙋
🎫 After tickets run out, on-site waitlisting is still available. 🙋
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這是一系列跨越樂種、多邊界交集，以立體聲響空間設計結合燈光、影像、電影與人聲在一個空間中交會共演—電聲、人聲、器樂、影像共同織就一場可以走入、可以停留、與身體共振的多重沉浸經驗。我們邀集來自國際與台灣不同創作角度與領域的藝術家們協作、交匯，讓各自的美學、媒材語彙激盪創造新的可能。我們邀請每一組創作團隊展現殊異音樂與聲音，脫離傳統的創作疆界認定，打造一場場讓觀眾在空間中呼吸、流動、環繞的視聽感知，讓聆聽者不再是旁觀聽眾者，而是融入作品的一部分，讓人們的感官重新以聲響聆聽來丈量空間與感知視覺的形態色調。
Crossing genres and intersecting boundaries, this series brings spatial sound design together with lighting, image, film and voice, drawing them into a single space to meet and perform alongside one another. Electroacoustic sound, voice, instruments and image weave a multilayered immersive experience — one that can be entered, dwelt in, felt resonating through the body. We gathered artists from Taiwan and abroad, each working from a different creative angle and in a different field, to collaborate and converge, letting their distinct aesthetics and media vocabularies spark against one another and open up new possibilities.
Each creative team brings its own distinctive approach to music and sound, moving beyond conventional creative boundaries to shape audiovisual experiences that breathe, flow and envelop the audience in space, so that listeners are no longer observers on the outside but become part of the work, allowing the senses to rediscover space through listening, to measure it in sound, and to perceive anew the forms, colors and tones of what they see.
● Samuel Barbier-Ficat : Siegfried: Externalized
Samuel Barbier-Ficat為巴黎當代音樂創作者，定期於歐洲演出發表，亦嘗試與各種不同演出者、團隊合作共演，他的作品《Siegfried: Internalized》探討外在聲譽、家庭生活與自我型塑建構等主題，透過失真效果、古典音樂的調性變化，與在不斷演變的氛圍音色中穿插噪音及氛圍音景 ，將這些創作概念呈現出來 。
Paris-based contemporary music artist Samuel Barbier-Ficat regularly presents and performs his work across Europe, while also collaborating with a wide range of performers and groups. In Siegfried: Internalized, the compositions engage with ideas of fame, domesticity and self-mythology. They are brought to life through distortion, classical modulations and evolving ambient textures pierced with noise events.
藝術家：薩繆爾．巴比耶－菲卡｜製作：伊曼．繆斯
Artist: Samuel Barbier-Ficat｜Production: Iman Muse
Ficat by Iman Muse
● Demsky: Jugaad
Demsky來自加拿大沉浸音像藝術家與音樂製作人，目前旅居東京，《Jugaad》以印地語(Hindi) 「Jugaad」為靈感，意指在限制中隨機應變、發揮即興創造力，作品不遵循既定的創作結構，以直覺引領，探索即興、適應力、好奇心所孕育出的全新可能性，將不完美與即興視為創作過程中不可或缺的一環。與視覺藝術家Mindflower的即時視覺創作相即時交織互動，共同建構出一段具實驗精神、韌性，現實限制之中潛藏的意外可能性為核心的創演旅程。
Originally from Canada and now based in Tokyo, Demsky is an immersive audiovisual artist and music producer. Jugaad takes its inspiration from the Hindi word “jugaad,” which refers to resourcefulness, improvisation and creative problem-solving within constraints. Rather than following established structures, the work lets intuition lead, exploring new possibilities that emerge through spontaneity, adaptation and curiosity, while embracing imperfection and improvisation as essential parts of the creative process.
Working with visual artist Mindflower, whose live visuals interact and intertwine with the music in real time, Demsky creates an evolving audiovisual journey centered on experimentation, resilience and the unexpected possibilities hidden within constraint.
音樂：Demsky｜影像：Mindflower (Gen Yamada)
Music: Demsky｜Visuals: Mindflower (Gen Yamada)
● Diemo Schwarz×HUANG Ya-Nung: Duo Diemo Schwarz x Ya-Nung Huang
Diemo Schwarz是一位聲響工程師與電聲創作演出者，本場將演奏他所創造的的具身數位樂器 CataRT，與獨特的民族管器樂嗩吶演奏家黃雅農合作，探索彼此的聲響與視覺世界，帶來跨文化、跨媒介音質的音像演出。視覺影像由AI演算法生成，即時回應兩位表演者的動作與聲音，層層堆疊的影像交織成錯綜複雜的畫面；豐富的電子聲響由現場的樂器演奏即時生成，反映並重新組織兩位表演者所創造的音色，對比與協調流轉間創造出各異其趣的共融時刻。
Diemo Schwarz is a sound engineer, electroacoustic artist and performer. In this performance, he plays CataRT, the embodied digital instrument he developed, in collaboration with HUANG Ya-Nung, a cross-disciplinary artist performing on suona and a range of traditional wind and reed instruments. Together, they explore their respective sonic and visual worlds, creating a cross-cultural, cross-modal audiovisual experience.
The live visuals are generated by AI algorithms that respond in real time to the gestures and sounds of both performers, assembling intricate layers of photographic images into complex visual textures. Rich electronic sounds are generated in real time from the live instruments, reflecting and reorganizing the timbral qualities created by the two performers. As the performance moves through varying moments of contrast and coherence, these sounds create a shifting symbiotic connection between the performers.
互動聲音藝術家、電腦音樂家、CataRT 創作者：Diemo Schwarz｜嗩吶：黃雅農
Interactive Sound Artist, Computer Musician, Creator of CataRT: Diemo Schwarz｜Suona: HUANG Ya-Nung
©王弼正
● 王仲堃《時・機》｜WANG Chung-Kun: Time Machine
王仲堃為臺灣重要的聲音與動力裝置藝術家，長期將馬達、金屬與各種聲響物件轉化為具生命感的機械裝置。作品以「音陣」（Acoustic Array）與號角發聲裝置為核心，凝結著時間與機運的對話。在設定的限制與秩序之中，揉合高壓氣流與物理發聲裝置那不可預測的微小動態，創造出「精準的失控」，交織出屬於演出者、裝置與觀眾共同沉浸的時空。
WANG Chung-Kun is a leading Taiwanese sound and kinetic installation artist whose practice has long transformed motors, metal and a wide range of sound-producing objects into mechanical installations imbued with a sense of life. Centered on an “Acoustic Array” and horn-based sound devices, Time Machine crystallizes a dialogue between time and chance. Within a defined system of constraints and order, the work combines high-pressure airflow with the minute, unpredictable movements of physical sound-producing mechanisms to create a form of “precise loss of control,” weaving a shared immersive world of time and space for performer, installation and audience.
創作暨演出執行｜王仲堃
Creation & Production Execution｜WANG Chung-Kun
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✦2026 聲徜音樂節：Wandering✦
主辦單位｜臺灣當代文化實驗場 C-LAB
執行單位｜C-LAB 臺灣聲響實驗室
策展團隊｜C-LAB 臺灣聲響實驗室、法國聲響與音樂研究統合中心
補助單位｜文化部
Organizer｜Taiwan Contemporary Culture Lab (C-LAB)
Produced by｜C-LAB Taiwan Sound Lab
Curatorial Team｜C-LAB Taiwan Sound Lab, Institute for Research and Coordination in Acoustic/Music (IRCAM)
Funded by｜Ministry of Culture, Republic of China (Taiwan)
晴 空 季 SKYWARD 2026
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