˖° 2026 聲徜音樂節：Wandering °˖
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殘響體
Somatic Echo
國立臺北教育大學音樂學系
Department of Music, National Taipei University of Education
✦ 演出時間 Time：
9/17 THU 19:00｜50min
✦ 地點 Venue｜空總國家文化基地 Kong Zong Cultural Base
（臺北市大安區建國南路一段177號｜No. 177, Sec. 1, Jianguo S. Rd., Da'an Dist., Taipei City 106, Taiwan (R.O.C.)）
📍臺灣聲響實驗室立體聲場｜Taiwan Sound Lab-Spatial Audio Field
🎫 索票額滿後，仍可現場候補 🙋
🎫 After tickets run out, on-site waitlisting is still available. 🙋
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《Urban Smear》描繪都市忙碌而反覆的日常，個體感知在有序的混亂中逐漸失焦。當日常不斷重複推進，那些未曾察覺的片刻、情緒與感受，或許早已在不知不覺間被遺落，留下流動而模糊的殘影。
《Intersections》以「路口」作為意象，描繪人在現實與虛擬、不同空間與場景之間穿梭的經驗。以都市馬路聲景為創作素材，引導聽者游移於環境聲與音樂之間，重新感受熟悉城市聲景所帶來的空間想像。
《Imprint》靈感源於塔羅牌象徵與記憶，探討意識引導物質的內在修復。經歷的生命事件皆非無形虛幻，如同塔羅牌陣在心中留下的印記；透過大腦中神經的重新連接，轉化為肉體上切實存在的生理印記。
《[ 2 ] REAL - VOID》旨在探討雙重性的瓦解與虛無的生成。作品將電子音樂賦予擬人化的性格，透過與擊樂的動態消長與對比，映射自我內心的撕裂與喪失；並藉由聲響與影像的交織，探索存在、消解與殘缺的辯證。
《⍢言葉(｡A｡)》結構源自於心經。觀自在菩薩。行深般若波羅蜜多時：照見五蘊皆空，度一切苦厄……
Urban Smear portrays the busy, repetitive rhythms of urban life, where individual perception gradually slips out of focus amid an ordered chaos. As the routines of everyday life keep cycling forward, unnoticed moments, emotions and sensations may already have fallen away without our knowing, leaving only blurred afterimages in their wake.
Intersections takes the urban crossroads as its central image, evoking the experience of moving between the real and the virtual, and across different spaces and settings. Drawing on the soundscape of city streets, the work leads the listener back and forth between environmental sound and music, inviting them to rediscover the spatial imagination embedded in familiar urban soundscapes.
Imprint draws on the symbolism of tarot and the workings of memory to explore inner healing in which consciousness guides matter. What we live through is neither formless nor illusory. It leaves an imprint on the mind, much as a tarot spread does, and through the rewiring of the brain's own connections that imprint becomes a physical one, carried in the body.
[ 2 ] REAL - VOID explores the collapse of duality and the emergence of the void. The work personifies the electronic music, setting it in a shifting dynamic of rise and fall against the percussion, a contrast that mirrors a tearing and loss within the self. Sound and image fold into one another, tracing a dialectic of existence, dissolution and incompleteness.
⍢Kotoba (｡A｡) is structured after the The Heart of Prajna Paramita Sutra: While deeply immersed in prajna paramita, Clearly perceived the empty nature of the five skandhas, And transcended all suffering…
創製團隊 Creation & Production Team
作曲｜楊雅欽、施雅薰、吳佳靜、張慈元、絲博暉
影像製作｜楊雅欽、鄭祖豪
擊樂｜曾柏恩、潘品竹、王侑強
指揮｜陳柏廷
Composition｜YANG Ya-Chin, SHIH Ya-Hsun, WU Jia-Jing, CHANG Tzu-Yuan, SZU Po-Huei
Video Production｜YANG Ya-Chin, ZHENG Zu-Hao
Percussion｜TSENG Po-En, PAN Pin-Jhu, WANG Yu-Chiang
Conducting｜CHEN Po-Ting
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✦2026 聲徜音樂節：Wandering✦
主辦單位｜臺灣當代文化實驗場 C-LAB
執行單位｜C-LAB 臺灣聲響實驗室
策展團隊｜C-LAB 臺灣聲響實驗室、法國聲響與音樂研究統合中心
補助單位｜文化部
Organizer｜Taiwan Contemporary Culture Lab (C-LAB)
Produced by｜C-LAB Taiwan Sound Lab
Curatorial Team｜C-LAB Taiwan Sound Lab, Institute for Research and Coordination in Acoustic/Music (IRCAM)
Funded by｜Ministry of Culture, Republic of China (Taiwan)
晴 空 季 SKYWARD 2026
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