˖° 2026 聲徜音樂節：Wandering °˖
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閾限共振
Liminal Resonance
國立臺灣師範大學音樂學系
Department of Music, National Taiwan Normal University
✦ 演出時間 Time：
9/16 WED 19:30｜80min
✦ 地點 Venue｜空總國家文化基地 Kong Zong Cultural Base
（臺北市大安區建國南路一段177號｜No. 177, Sec. 1, Jianguo S. Rd., Da'an Dist., Taipei City 106, Taiwan (R.O.C.)）
📍臺灣聲響實驗室立體聲場｜Taiwan Sound Lab-Spatial Audio Field
🎫 索票額滿後，仍可現場候補 🙋
🎫 After tickets run out, on-site waitlisting is still available. 🙋
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本次聲徜音樂節校際合作邀請國立臺灣師範大學音樂系學生，以10首全新電子音樂創作邀請觀眾進入聲音與感官的交互對話。
你相信椅子可以接受外星訊號嗎？《外星訊號》將日常物件化為接收宇宙訊號的載體，引發人們對未知生命的無限想像。《我不是機器人》聚焦於人與人工智慧不可分割的關係，探討人工智慧時代中，人類與技術之間應如何被理解與定義。《Man!ac》此作品以安徒生童話「影子」作為靈感，結合音樂與舞台呈現，探討人在社會化的過程中逐漸失去主體性，受到外物控制與去人格化的過程。主客錯置、虛實顛倒，虛擬的化身，成為了真實的主宰。《消逝的竹鳴》以竹筒鼓與科技，演繹自然被都市吞噬的消逝。《Legacy》描述物換星移，繼往開來。
《選擇之後》將每個人的選擇轉化為聲音，讓不同的人生軌跡在同一個空間裡被聽見。《Todesfuge — for Paul Celan》嘗試將原詩深刻的文本結構，轉譯為混合電聲(Mixed Electroacoustic Music)的音樂形式。《深藍》沈落深海的記憶在黑暗之中消融，渴求著夢醒之間被光尋見。《guide to being a rabbit》透過表演者與影像裝置的互動，作品將控制關係轉化為可見的影像與聲音，邀請觀者重新凝視那些早已被內化的規則，如何在無形之中持續形塑我們的思想、行動與觀看世界的方式。《Pain is Peaceful》則以金屬極端唱腔作為素材，來討論痛苦與不適這個狀態中存在穩定的可能性。
For this year's university collaboration, students from the Department of Music at National Taiwan Normal University have written ten new works of electronic music that draw the audience into the interplay of sound and the senses.
Do you believe a chair can pick up signals from outer space? Cosmic Signal turns everyday objects into receivers for messages from beyond, setting the imagination loose on forms of life we have never met. I'm Not a Robot fixes on the now inseparable bond between people and artificial intelligence, asking how human and machine are to be understood and defined in an age of AI. Man!ac takes its inspiration from Hans Christian Andersen's "The Shadow." In music and on stage, it follows a person losing their subjectivity to socialisation, taken over by external forces and stripped of personhood. Subject and object are transposed, the real and the illusory inverted, and the virtual avatar becomes master of the real. The Vanishing Resonance of Bamboo integrates bamboo tube drums with technology to play out the disappearance of a natural world the city is swallowing. Legacy traces the turning of things, and the carrying of the past into what comes next.
After the Choice turns individual choices into sound, so the tracks of different lives can be heard in the same room. Todesfuge — for Paul Celan attempts to render the profound textual structure of Celan's poem as mixed electroacoustic music. In Deep Blue, memory sinks to the ocean floor and dissolves in the dark, longing to be found by the light somewhere between dreaming and waking. In guide to being a rabbit, it sets performer and video installation playing off each other, turning relations of control into image and sound. It invites the viewer to turn their gaze back on rules long since internalised, and to notice how they keep shaping, invisibly, what we think, what we do and the way we see the world. Pain is Peaceful takes metal's extreme vocal styles as its material, and asks whether pain and discomfort might hold a stability of their own.
● 2025 C-LAB 聲響藝術節：國立台灣師範大學音樂學系《感同聲授》｜拍攝：三月影像 Aquamarinefilm
創製團隊 Creation & Production Team
製作統籌｜黃苓瑄
作品指導｜林芝良、黃苓瑄
作曲團隊｜謝秉諭、王建騏、江信彥、葉芊妤、張旭誠、蔡嘉祐、林駿甫、黃莉棋、吳思翰、章克澍、陳依旻
演出團隊｜謝秉諭、王建騏、許恩愷、劉卉瑀、葉芊妤、張旭誠、蔡嘉祐、章克澍、黃莉棋
Production Coordination｜HUANG Ling-Hsuan
Artistic Supervision｜LIN Chih-Liang, HUANG Ling-Hsuan
Composition｜HSIEH Bing-Yu, Ritchie WANG, CHIANG Hsin-Yen, YEH Chien-Yu, CHANG Hsu-Cheng, TSAI Jia-You, LIN Chun-Fu, Rachel HUANG, WU Szu-Han, Joseph CHANG, CHEN Yi-Min
Performance｜HSIEH Bing-Yu, Ritchie WANG, HSU En-Kai, LIU Hui-Yu, YEH Chien-Yu, CHANG Hsu-Cheng, TSAI Jia-You, Joseph CHANG, Rachel HUANG
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✦2026 聲徜音樂節：Wandering✦
主辦單位｜臺灣當代文化實驗場 C-LAB
執行單位｜C-LAB 臺灣聲響實驗室
策展團隊｜C-LAB 臺灣聲響實驗室、法國聲響與音樂研究統合中心
補助單位｜文化部
Organizer｜Taiwan Contemporary Culture Lab (C-LAB)
Produced by｜C-LAB Taiwan Sound Lab
Curatorial Team｜C-LAB Taiwan Sound Lab, Institute for Research and Coordination in Acoustic/Music (IRCAM)
Funded by｜Ministry of Culture, Republic of China (Taiwan)
晴 空 季 SKYWARD 2026
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