2026太平山城藝棧駐村藝術家—第一場成果分享會與藝術家小聚來了！
這次由來自挪威的陶藝藝術家 Vida Aasen，帶來他在太平山城藝棧與罾仔寮社區的駐村創作發表。 邀請大家在山城的夜晚，一起來到路角蕨概念店，與藝術家小聚、交流，感受 Vida 在基隆駐村期間所累積的創作能量與地方連結。
#現場備有中英口譯老師
2026 TaiPing Art Hub Resident Artist Series — the first residency presentation and artist gathering is here!
This time, ceramic artist Vida Aasen from Norway will present the creative work she has developed during her residency at TaiPing Art Hub and with the Tsan Zi Liao community.
We warmly invite everyone to join us for an evening in the hillside neighborhood at Corner Fern Concept Store, where we will gather, exchange, and experience the creative energy and local connections Vida has built during her residency in Keelung.
*活動時間：
活動日期/ Date： 2026/07/03（五）Friday
活動時間/Time： 19:00–21:00
活動地點/Venue： 路角蕨概念店（ 基隆市中山區中山一路133號 ）
No. 133, Zhongshan 1st Road, Zhongshan District, Keelung City
活動對象/Who can join： 一般民眾，歡迎所有年齡層的朋友們參加
General public; all ages welcome
*藝術家介紹/Artist intro ：
Vida Aasen
Vida 以奧斯陸為創作基地，她以泥土塑造具象的動物雕塑，透過不同種類的陶土、尺度與形式，持續探問人類與動物之間的關係。Vida 的創作關注動物如何在文化與社會中被分類為可愛或令人厭惡、親近或疏離、被珍視或被排除；也進一步思考同理與反感之間的界線，如何影響我們對生物多樣性與共同生活環境的理解。
Vida曾於挪威多地發表個展與聯展，包含 SKOG Art Space、Galleri Badim、Galleri Neuf、Hadeland Glassverk、Kunstnerforbundet、Haugar Kunstmuseum，以及 Nitja Centre for Contemporary Art 等空間與機構。她亦曾於中國景德鎮駐村，並持續在陶藝、教學與社群工作之間，發展以材料、動物與地方敘事為核心的創作實踐。
Vida Aasen is a ceramic artist based in Oslo, Norway. Working with clay, she creates figurative animal sculptures through various types of clay, scales, and forms, continuously exploring the relationship between humans and animals. Vida’s practice focuses on how animals are culturally and socially categorized as adorable or repulsive, familiar or distant, cherished or excluded. Her work further reflects on the boundary between empathy and disgust, and how these perceptions shape our understanding of biodiversity and the shared environments we inhabit.
Vida Aasen has presented solo and group exhibitions across Norway, including at SKOG Art Space, Galleri Badim, Galleri Neuf, Hadeland Glassverk, Kunstnerforbundet, Haugar Kunstmuseum, and Nitja Centre for Contemporary Art. She has also participated in a residency in Jingdezhen, China. Moving between ceramic art, teaching, and community-based practice, she continues to develop an artistic practice centered on materials, animals, and local narratives.
