💫2025 C-LAB 聲響藝術節：「新銳當代音樂聲響聯合展演」—《複製體IV》、《Z.A.R》、《情緒儀式之書寫》、《Boulder石》、《一般太平洋文學》
《Cutting-Edge Contemporary Music & Sounds》—Réplisome IV, Z.A.R, Emotional Ritual: Script, Boulder, General Pacific Literature
陳家輝、黃苓瑄、吳秉聖、王之筠、XTRUX( 蘇柏瑞、李畯玨、邱晨恩、曾竣偉 ) 與黃詠仁、陳柏豪、曾靖軒、溫泓凱
CHEN Chia-hui, HUANG Ling-hsuan, WU Ping-sheng, WANG Chih-yun, XTRUX(SU Po-jui, LEE Chun-chueh, CHIU Chen-en, TSENG Chun-wei) with HUANG Yung-jen & CHEN Po-Hao, TSANG Jing-shiuan, WEN Hungkai💫
本節目集結C-LAB臺灣聲響實驗室歷經多年培育及媒合不同領域創作者協作、共創，讓彼此殊異創作語彙進行對話激盪，不同的創作思路、途徑碰撞出新可能，音樂無論結合人聲、器樂亦或是純電聲與燈光、影像等協創，各組以不同的創作動機與演出內容形式表述、傳達音樂聲音的多樣表情及空間感，挖掘虛實意識、音樂文學關係、感知拓延探索、人機互融聲景等，新世代面對當代的各種生存情境與科技運用反芻的音樂聲響多元表現。
For this program, cross-domain creators incubated by the C-LAB Taiwan Sound Lab over the years were invited for collaboration and co-creation, with new possibilities emerging through the dialogue and collision of their distinct creative vocabularies. Whether blending voice and instruments, or purely electronic sounds with light and imagery, each group expresses and conveys the richness of musical expression and spatial perception through unique creative motivations and forms of performance, exploring themes such as interplay between reality and consciousness, relationship between music and literature, extensions of perception, and human-machine integration-based soundscapes, incarnating diverse sonic expressions of a new generation and reflecting on contemporary modes of existence and uses of technology.
吳秉聖&王之筠《情緒儀式之書寫》
WU Ping-Sheng, WANG Chih-Yun: Emotional Ritual: Script
流動的訊號從噪聲中浮現，開始閃爍的單一光點、人聲的單一音節、字卡上破碎的符號與公式…逐步具象化意識的型態。隨著時間流逝，個體的本質，靜止而深邃，而意識如聲波流動，在空間由內向外的場域中書寫經驗。
Flowing signals emerge from the noise: a single flickering point of light, discrete syllables of human voice, fragmented symbols and formulas on flashcards... gradually giving shape to consciousness. As time passes, the essence of the individual remains still and profound, while consciousness flows like sound waves, inscribing experience within the spatial field that expands outward from within.
曾靖軒&溫泓凱《一般太平洋文學》
TSANG Jing-Shiuan, WEN Hungkai: General Pacific Literature
太平洋文學是純感性的輸出，不帶任何邏輯與理性。有文字記錄，也有音樂檔案紀錄，而隨意地給了文學作為歸類。太平洋三個字象徵著存在於這個島國上各式各樣的日常：細雨紛飛的時刻、濕漉漉的午後雷陣雨、梅花飄落的早春、映照著正東方升起月亮的波光等…。
Devoid of logic and reason, Pacific literature is a purely emotional output, comprising written records as well as musical archives and casually categorized under literature. The term “Pacific” symbolizes facets of everyday life in this island-nation: moments of fine drizzling rain, afternoon thunderstorms in the damp summer, plum blossoms falling in early spring, or shimmering waves reflecting the moon rising in the eastern sky...
黃苓瑄《Z.A.R》
HUANG Ling-Hsuan: Z.A.R
《Z.A.R》將透過古箏演奏的手部和軀體姿態、樂器結構與琴弦造型、古箏原聲聲響以劇場視覺設計（燈光與視覺影像）與空間電聲在演出空間中予以「擴增」，撥弦聲響的殘響透過燈光線條延展，將琴弦的震動狀態以視覺互動影像投射至整個空間中，使琴弦震動與殘響可視化，在空間中延伸與強化感官訊息。
Gestures of the hands and body in guzheng performance, the instrument’s structure and forms of strings, and its acoustic sound are expanded through theatrical visual design (lighting and visual) and spatial electronics within the performance space. The resonance of plucked strings is extended through light rays, while vibration of the strings is projected as interactive visual imagery across the space, visualizing such vibration and resonance while extending, amplifying sensory information in the space.
陳家輝《複製體IV》
CHEN Chia-Hui: Réplisome IV
《Réplisome》是一系列為獨奏樂器與電子聲響而作的作品，靈感取自單一細胞的分化歷程。樂曲將分化過程切分為「基因排列」、「模糊外體」、「內體零件」、「清晰外體」四大階段，最終孕育出多條各異其趣的進化支線。《Réplisome IV》此曲既向深厚的傳統致敬，也大膽探索當代聲響的疆界：以笙與交響樂團為主體，融入即時電子音響與人工智慧層次，織就多維度的聽覺景觀。
Réplisome is a series of works for solo instrument and electronic sound, inspired by the differentiation of a single cell. Réplisome IV maps this process into four stages-"Gene Alignment," "Blurred Exoplasm," "Endoplasmic Components," and "Clarified Exoplasm"-ultimately branching into multiple, distinct evolutionary paths. While paying homage to deep-rooted traditions, the work boldly explores the frontiers of contemporary sound, foregrounding the sheng and symphony orchestra, then threading real-time electronics and artificial-intelligence layers into a multi-dimensional sonic tapestry.
XTRUX ( 蘇柏瑞、李畯玨、邱晨恩、曾竣偉 ) 與黃詠仁、陳柏豪《Boulder石》
XTRUX, HUANG Yung-Jen, CHEN Po-Hao: Boulder
《Boulder》是一個關於勞動、人工/自然、有機/無機的音像演出並以遊戲引擎打造，他們遊蕩、推著石頭、徬徨不定，宛如現實中人類縮影，透過遊戲引擎、電腦音樂、沉浸聲技術匯集而成的「Boulder」，試圖解構與重構這些當代問題，為現代人提供一個重新思考自身存在的場域，引導觀眾在技術敘事與身體感知之間游移。
Created with game engines, Boulder is an audiovisual performance about labor, the artificial and the natural, the organic and the inorganic. Figures wander, push boulders, and hesitate—mirroring humanity in miniature. Combining game engines, computer music, and immersive sound technologies, Boulder seeks to deconstruct and reconstruct related contemporary issues, offering modern individuals a space to rethink their own existence, guiding the audience to drift between technological narratives and body perception.
📅演出日期/時間：
11月2日 (日) 16:00
⏰演出長度：節目全長約105分鐘
📍演出地點：臺灣當代文化實驗場 空總劇場
《情緒儀式之書寫》
女高音｜陳譽晨
擊樂｜王述瑄
低音提琴｜張愷庭
音像藝術｜吳秉聖
作曲｜王之筠
《一般太平洋文學》
演出｜曾靖軒、溫泓凱
《Z.A.R》
作曲｜黃苓瑄
古箏｜郭靖沐
視覺設計｜鄭道元
《複製體IV》
作曲家｜陳家輝
笙｜李俐錦
《Boulder石》
XTRUX
藝術家 / 視覺設計｜蘇柏瑞
藝術家 / 視覺設計｜李畯玨
藝術家 / 視覺設計｜邱晨恩
藝術家 / 聲音設計｜曾竣偉
藝術家 / 聲音設計｜黃詠仁
現場電子音樂演奏｜陳柏豪
主辦單位｜C-LAB 臺灣聲響實驗室
補助單位｜文化部
財團法人國家文化藝術基金會 National Culture and Arts Foundation
(黃苓瑄作品及吳秉聖之聲音燈光裝置前期發展支持)
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