以「協作」作為方法—當代藝術社群關係趨勢
Collaboration as a Method—Trends in Contemporary Art Community Relations
▞ 活動資訊 Event Information✐☡
𖦹 活動時間｜2025年3月26日（三）13:30-14:10
𖦹 主持人｜葉佳蓉（鳳甲美術館館長）
𖦹 與談人｜陳暢 Abby CHEN （舊金山亞洲藝術博物館當代藝術部門首席策展人）
｜魯本．基漢 Reuben KEEHAN （澳洲昆士蘭美術館與現代藝術館亞洲當代藝術策展人）
｜呂佩怡 Pei-Yi LU （國立臺北教育大學當代藝術評論與策展研究全英語碩士學位學程副教授）
𖦹 論壇地點｜桃園展演中心 1F （桃園市桃園區中正路1188號）
𖦹 活動官網｜https://tmofa-tiaa.com/
𖦹 論壇費用｜免費參加
𖦹 指導單位｜桃園市政府、桃園市議會、桃園市政府文化局
𖦹 主辦單位｜桃園市立美術館
𖦹 活動流程｜
13:30-13:33 主持人開場 葉佳蓉
13:33-14:05 觀點對談 葉佳蓉 X 陳暢 X 魯本・基漢 X 呂佩怡
14:05-14:10 觀眾Q&A
▞ 活動簡介 Event Introduction
桃園市立美術館（以下簡稱桃美館）主辦的「2025桃源國際藝術獎」（以下簡稱桃源獎），以不分媒材的形式，向全球展開全新創作提案的徵集，旨在鼓勵創作之多元發展，培育當代藝術創作人才，同時亦強化國際交流，接軌國際藝壇。桃源獎至今辦理至第三屆，採一年徵件、隔年辦理展覽的雙年展模式，透過長達五個月的國際媒體宣傳策略啟動前期宣傳，吸引到不同型態的創作者投件。經去年（2024）6月初審，選出11件入圍作品共同參展並角逐獎項，展覽資訊與展覽期間活動請參見桃園市立美術館官網。
本次入選者橫跨20初至40幾歲區間的青壯年創作者，團創作佔6組，佔總入選的一半，且團體的組成除了視覺藝術家，更多有跨足電影、傳統拳擊、社會學等多元專業背景的協作者，是本屆有別與以往的特色，也顯露出當今國際藝壇傾向多邊協作的趨勢。而在這些作品中，亦可見到當今創作者們所關注的面向以及行動策略，包含對地緣政治的指涉與發聲、當代媒體現狀的反思，以及朝向人與人、人與非人之間關係的探索；並奠基於長期的前置田野調查、公民參與行動，或是以動態影像、互動式科技做為媒介，甚至藉由限地製作作為方法，回應當代社會的諸多徵候，展覽亦促成各地文化景觀的交織。
搭配展覽，桃美館策劃國際座談「以『協作』作為方法—當代藝術社群關係趨勢」，將由本屆參展藝術家/團隊之協作社群面貌的關係切入，聚焦當代創作者側重社群跨域與其能動性的發展趨勢。邀請鳳甲美術館葉佳蓉館長擔任主持人，陳暢（Abby CHEN）、魯本．基漢（Reuben KEEHAN）與呂佩怡參與座談，分別就本屆展覽中年輕創作者跨域合作的趨勢，以及此種創作型態所側重的面向進行對談，重新探討今日藝術跨域合作的新走向，以及此種社群關係中藝術家/參與者、乃至觀眾之間的互動關係，同時也進一步談論美術館在此潮流中扮演的角色。
桃源獎為本館在主館舍正式落成前，長期籌辦的國際交流平台，整體計畫上展現了至關重要的藝術交流與思維，同時回應桃美館面向國際的館務方針。在展覽之外，亦透過文化參訪、國際座談等活動，搭建藝壇社群網絡，增加臺灣與國際藝術家被發掘的機會，並藉此平台促進國際藝術家、策展人、機構負責人的對話開展。
The "2025 Taoyuan International Art Award" (hereinafter referred to as "Taoyuan Award"), organized by the Taoyuan Museum of Fine Arts (hereinafter referred to as "TMoFA"), is an open call for new creative proposals worldwide, with no restrictions on medium. The award aims to encourage diverse artistic development, nurture contemporary artists, and strengthen international exchanges to align with the global art scene. Now in its third edition, the Taoyuan Award follows a biennial model, with open calls in one year and exhibitions in the next. A five-month international media strategy was implemented to attract a wide range of creators. After the preliminary selection in June 2024, 11 works were shortlisted for the exhibition and award competition. For exhibition details and event schedules, please refer to TMoFA's official website.
This year's selected artists range from their early 20s to late 40s, with six of the eleven selected projects being group collaborations. These groups not only include visual artists but also professionals from film, traditional boxing, and sociology, reflecting a growing trend of interdisciplinary collaboration in the international art scene. The exhibited works address geopolitical issues, contemporary media reflections, and explorations of human and non-human relationships. They are grounded in long-term field research, civic engagement, dynamic imagery, interactive technology, and site-specific production, responding to various contemporary social conditions while interweaving cultural landscapes.
Alongside the exhibition, TMoFA has organized the international forum "Collaboration as a Method: Trends in Contemporary Artistic Communities." This forum will explore the collaborative nature of this year's selected artists and teams, focusing on the rise of cross-disciplinary and community-based artistic practices. Moderated by Jiarong Yeh, Director of Hong-gah Museum, the discussion will feature Abby Chen, Reuben Keehan, and Pei-Yi Lu, who will examine the evolving landscape of artistic collaboration, the dynamics between artists, participants, and audiences, and the role of museums in this shifting paradigm.
As a long-term international exchange platform preceding the official completion of TMoFA's main building, the Taoyuan Award plays a crucial role in fostering artistic dialogue and exchange, aligning with the museum's global vision. Beyond the exhibition, cultural visits, international forums, and networking initiatives provide greater exposure for Taiwanese and international artists, facilitating conversations among artists, curators, and institutional leaders worldwide.
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▞ 關於桃源國際藝術獎 About TIAA
「桃源國際藝術獎」（桃源獎）2021年由桃園市立美術館開辦，係為搭建國際藝術網絡連結及全球視野的雙年展覽計畫，旨在鼓勵全世界範圍內當代藝術的文化異質性，同時致力挖掘國際間展露時代觀點的創作提案，決選入圍者將由本館支持各自展覽計劃的實踐。創立至今邁入第三屆，爲擴張藝術形態和文化邊界，除了不限媒材的徵件制度，更以籌組國際評審團爲獎項極大特色，過往曾邀請第57屆威尼斯雙年展首席策展人Christine Macel、前森美術館館長南條史生、獨立策展人侯瀚如、雪梨雙年展策展人Cosmin Costinas等，國內知名藝評人、策展人和學者如高千惠、王嘉驥、高森信男、阮慶岳等皆曾參與評審。
「桃源國際藝術獎」展望不分國界的當代藝術，桃美館期以21世紀城市美術館的視野，作爲擴張藝術本質與邊界、引動創造性能量、匯聚全球化現象思辨的場域。
桃園市立美術館（青埔主館）預計2027年正式啟用，已成立七年的桃美館，持續以創造性的游擊計畫，在這座城市裡運轉各項展覽實踐和推廣活動。
Established in 2021 by the Taoyuan Museum of Fine Arts, the Taoyuan International Art Award (TIAA) stands as a biennial exhibition initiative dedicated to cultivating international art networks and expanding global perspectives. Its core mission is to promote cultural diversity in contemporary art worldwide and discover artistic propositions that embody modern viewpoints. Finalists selected for the award will receive support from the museum to realize their exhibition plans. Now entering its third edition, the award strives to widen the scope of artistic expressions and cultural horizons.
The TIAA is also notable for its distinguished international jury panel, whose past members include Christine Macel, Chief Curator of the 57th Venice Biennale; Nanjo Fumio, former Director of the Mori Art Museum; independent curator Hou Hanru; Cosmin Costinas, curator of the Sydney Biennale, as well as prominent local art critics, curators, and scholars like Kao Chien-Hui, Chia Chi Jason Wang, Takamori Nobuo, and Roan Ching-Yueh.
The TIAA aspires to transcend international borders within the realm of contemporary art. With the vision of a city art museum in the 21st Century, the Taoyuan Museum of Fine Arts aims to serve as a dynamic platform extending the natures and frontiers of art, and foster a surge of creative energy. It endeavors to become a central hub for reflections on issues of a globalized world.
The main building of Taoyuan Museum of Fine Arts in Qingpu is expected to be completed at the end of 2026. Having operated for more than five years, the museum continues to engage the public through a variety of innovative guerrilla projects of exhibitions and education throughout the city.
