透視音像 藝術展演 臺北站
Perspectives:Audio-Visual Art
未命名、未定義：音像藝術的無界場域
在這個過度標籤化的時代
標籤滲透了我們的身份、思想與創作
甚至影響我們對世界的感知
我們被歸類、被定義
有時在標籤中尋找歸屬
有時則為了迎合語境而縮減自身
直至成為簡化的符號
但人的本質，真的需要被歸類嗎？
當界線開始模糊
當聲音與影像交錯生成
我們是否仍需依附既定的範疇？
這場活動不僅是一場現場演出
更是一場思維與感官的實驗
—由眾多藝術家共同參與，
探索聲音、影像與空間的流動關係
在這裡，不同媒材與異質風格的創作相互碰撞，
生成未曾命名的視聽語彙。身體成為感知的場域
聲響與影像不再服務於敘事而是直抵直覺
解構並重塑
我們對當代藝術與表演的想像無須尋找歸屬
因為此刻，這場共振就是歸屬
拋開定義
讓聲音、影像、身體與空間共構一場超越既定範疇的即時對話—無標籤，無界限，只留下未定義的當下
【 Artist/藝術家介紹 】
Byetone（Olaf Bender）
Born in Karl-Marx-Stadt, East Germany, in 1968, Olaf Bender began his creative journey experimenting with 16mm film. His passion for geometric motion and avant-garde expression led him to join the experimental music group AG Geige in 1988.
After the fall of the Berlin Wall, Bender co-founded the influential Raster-Noton label in 1999, merging sound and visual art with iconic minimalist design.Under the moniker Byetone, Bender gained recognition for his energy-driven, minimalist electronic music, highlighted in acclaimed releases likeDeath of a Typographer (2008) and Symeta (2011).
He has collaborated on sound projects for renowned fashion designers and formed the duoDiamond Version with Carsten Nicolai.Currently managing the rebranded Raster label, Bender continues to push boundaries with innovative installations and cross-disciplinary artprojects.
Olaf Bender 1968年生於東德卡爾馬克思城，最初以16mm電影進行實驗創作。1988年加入實驗音樂團體AG Geige，致力於幾何運動與前衛藝術表達。
柏林圍牆倒塌後，他於1999年共同創立Raster-Noton廠牌，融合聲音與視覺藝術，以極簡設計聞名。以Byetone之名發表《Death of a Typographer》（2008）與《Symeta》（2011），確立獨特的極簡電子音樂風格。
他曾為知名時尚設計師製作聲音作品，並與Carsten Nicolai組成Diamond Version。目前負責重塑後的Raster廠牌，持續推動創新裝置與跨領域藝術計畫。
Mori shares his deep interest in combining mathematics, geometry and data with emotion, dance and fulfillment: technology meets nature, binary meets fluids, algorithm meets spirituality, dualism meets triality, machine meets human, randomness meets self similarity.
All of his works are trying to open the space which exceeds dualism. His art doesn’t want to answer, nor does it aim to question. His debut album AS YOU WERE LISTENING is being released via the Raster Media platform, and captures the spirit of his previous works as well as establishing a new vision in which he endeavours to fuse pop culture with the art world.
In AS YOU WERE LISTENING he’s using the distinct language of dub techno whilst attempting to expand the genre’s vocabulary with new changes, elements and aesthetics. Mori has been involved in numerous collaborations and a wide array of arts projects, as well as working as a composer, DIY installation artist, sound designer, recording and sound engineer.
Mori 將數學、幾何與數據結合情感、舞蹈與精神探索，模糊科技與自然、隨機與自相似、機械與人類的界限，試圖超越二元對立。他的作品不為解答，也不設疑問，而是開啟新的藝術空間。
首張專輯《AS YOU WERE LISTENING》由 Raster Media 發行，以 dub techno 為語言，並融入全新元素與美學，探索流行文化與藝術世界的交匯。Mori 亦活躍於多領域合作，身兼作曲家、裝置藝術家、聲音設計師與錄音工程師。
CHANG HSIN YU 張欣語
1999年生於新竹，互動、聲音、裝置創作者。
喜歡實驗聲響。裝置作品經常探討聲音的空間性、發聲機制及訊號的轉譯，注重聲音生成的方法，同時透過運作的規則呼應生活中的經驗感受及議題。音像表演習慣透過編寫程式創作， 關注聲音與影像之間相互觸發的關係，常用最 單純的元素延展出豐富的可能性。
Born in 1999 in Hsinchu, he is an artist specializing in interactive art, sound, and installations.
Passionate about experimental sound, his installation works often explore the spatiality of sound, sound generation mechanisms, and signal translation. He focuses on methods of sound production while using operational rules to reflect personal experiences and social issues.
In audiovisual performances, he creates through programming, examining the interplay between sound and visuals. By utilizing the simplest elements, he extends them into rich and diverse possibilities.
1999年生於台灣嘉義，畢業於國立臺北藝術大學新媒體藝術學系跨域組。
現專注於跨領域藝術創作和音像演出，實驗聲響、即時影像生成和數位訊號整合。
創作核心聚焦人文關係，通過數位訊號傳遞中的失真，探討人類相互理解過程中的認知差異。投入於跨領域藝術、劇場、舞蹈和聲音裝置等各領域創作，拓展新媒體藝術的創新可能性。
曾參與《認夢 Dream Percept》、《未來視覺派對 FUTURE VISION LAB》、《聽說 Wisper》、《忘却回路 - Oblivion Circuit》等作品展演。
orn in 1999 in Chiayi, Taiwan, he graduated from the Transdisciplinary of New Media Department at Taipei National University of the Arts.
Currently focused on interdisciplinary art and audiovisual performances, his work explores experimental sound, real-time image generation, and digital signal integration.
His artistic core centers on human relationships, investigating cognitive differences in mutual understanding through distortions in digital signal transmission. Actively engaged in interdisciplinary art, theater, dance, and sound installations, he seeks to expand the innovative possibilities of new media art.
He has participated in exhibitions and performances such as Dream Percept, FUTURE VISION LAB, Wisper, and Oblivion Circuit.
TAPAS HUMI 
視覺藝術家、動態設計師、數位影像工作者
泰雅族，母親來自南投仁愛鄉馬烈霸，自幼在都市與部落間往返生活， 是一名視覺藝術家、動態設計師、動畫師、數位影像工作者， 善於用多層次的數位影像設計，結合生活創作。
「以自己的方式，呈現自己的語言」，熟稔音樂與視覺搭配， 在電子音樂活動現場、動畫、電影製作、電視廣告拍攝、展覽 等不同活動類型靈活轉換，並試圖在商業與自我血脈的追尋中取得平衡。 近年多專注本土文化與自我認同的藝術創作，並拓展實驗性作品與劇場相關之形式演出。
A visual artist, motion designer, and digital media creator, he is of Atayal heritage, with his mother from Marepa, Ren’ai Township, Nantou. Growing up between the city and his indigenous community, he integrates multilayered digital visuals with personal experiences.
"Expressing my language in my own way," he seamlessly blends music and visuals, adapting across electronic music events, animation, film production, TV commercials, and exhibitions. Balancing commercial work with a deep exploration of his roots, he has recently focused on indigenous culture, self-identity, and experimental theater performances.
【 演出資訊 】
演出日期｜2025/04/20 Sun.
演出時間｜18:30-22:30
開放入場｜18:00-18:30
演出地點｜台北流行音樂中心 Live House D （台北市南港區市民大道八段99號）
【 交通資訊 】
➤捷運/MRT
捷運昆陽站| 4 號出口出站，向東步行約 8 分鐘
捷運南港站| 1A 連通道出站，沿指標前行至 CITYLINK B 棟（由一樓走出大門後沿市民大道向西步行約 11 分鐘抵達）
【 聯繫方式 】
➤聯繫窗口｜Tapas H.
→0977553551/pinsbkan@gmail.com
➤票務窗口｜張小姐
→0989362520/shuwsuechang@gmail.com
➤官網 IG | 透視藝術 追蹤起來！Follow Us 收到第一手消息 🤩🤩
主辦單位｜透視藝術、岩岩數位藝術
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