藝術研究之路：從敘事到生成/自動/合成/音樂空間化 （Part 1 靈感分享）
The Path of an Artistic Research: From Narration to Generative Autonomous Synthetic Spatialized Music (Part 1 inspirations)
講者 Speaker｜Olivier Pasquet
時間 Time｜12/7 (Wed)
18:00-20:00 Part 1｜靈感分享 (免費參加) inspirations (free admission)
20:00-22:00 Part 2｜實作練習 (報名費用：每人350元，請自備筆電) hands-on and practice (admission: NTD$350, please bring your own laptop)
地點 Venue｜C-LAB臺灣聲響實驗室 Taiwan Sound Lab
參加辦法 Registration｜事先上網報名，現場將視預約報到情況開放候補名額。Register registration in advance. Please register at the reception desk for the waiting list; the event only opens to those on the waiting list if there are vacant seats available.
* 講座以英文進行 The workshop will be conducted in English.
活動簡介｜Introduction
◆ Part 1 靈感分享
敘事與建築結合的音樂語彙，自成一格的新型態音像作曲 。
奧利維耶·帕斯奎（Olivier Pasquet）將介紹幾件近期在音樂劇場，依特定場所製作的裝置與生成式音樂等作品。透過幾個例子來講述他在音樂與建築形式發現、聲音空間化、語音合成等其它作品曾經運用到的特殊人工智慧系統。他也將分享自己多年來如何從先驗編碼以及後來的「未來主義」美學（「超流行音樂」）構建自我，最終則聚焦於社會問題。
此外，奧利維耶將分享如何利用成功和失敗的契機，促使自己的作品變得更具說服力。
◆ 奧利維耶·帕斯奎（Olivier Pasquet）
奧利維耶·帕斯奎（Olivier Pasquet）是一位聲音、視覺藝術家和音樂製作人，其創作作品在理性主義理論虛構故事中鋪陳語境。他在IRCAM（法國聲響與音樂研究統合中心）和其他地方與各種藝術家合作。除了音樂和裝置藝術，帕斯奎也參與舞蹈、戲劇、歌劇等表演作品。這些領域都與建築、建築設計和特定地點有著密切關係。除了對藝術與科學之間的雙重性有著濃厚興趣之外，他也致力於連結科學和藝術研究。
◆ Part 1 Inspirations
Elaboration of a musical language from narration and architecture, towards futuristic autonomous audio-visual composition.
As a source of inspiration, Olivier Pasquet will first present a few recent pieces in Musiktheater, site specific installations, purely generative music. He will show a few examples of peculiar AI systems he has been using in those pieces in architectural form finding, spatialization, voice synthesis and other materializations. He will recount how he constructed himself over the years from transcendental coding, then "futuristic" aesthetics (“hyperpop"), and eventually focus on social matters.
Moreover, he will recount successes and failures that were used as justifications for achieving authenticity in his work.
◆ Olivier Pasquet
Olivier Pasquet is a sound, visual artist and music producer. His generative pieces are contextualized within a rationalist theory-fiction. He has been working with a variety of artists at Ircam and other places. Besides music and installations, he is also involved in performance pieces such as dance, theatre, opera. All has consequently a strong relation with architecture, architectural design and specific sites. Beyond a close interest for duality between art and science, he endeavors links throughout scientific and artistic research.
* 欲報名 Part 2實作練習請至以下連結報名：
* Please register on the link below for Part 2 hands-on and practice:
https://www.accupass.com/go/opapathofresearch2
指導單位｜文化部
主辦單位｜C-LAB
協辦單位｜法國在台協會
