【IC x ALMA x Laser Dye】
展覽日期｜2022.04.23 - 05.08
展覽地點｜Node94 ，台北市大安區潮州街94號B1
開幕座談｜施惟捷 x Ricardo Vega x Maria Jose Rios x 松下 聡樹
座談時間｜2022.04.23(六)，14:00 - 16:30
（部分參與者將以線上方式參與）
【I_C Project x Laser Dye，4/23 講座 lecture】
・施 惟 捷 14:00 - 14:30
來自未來的朋友、I_C計劃、部落對抗機器、雷射染計劃
我想介紹自己近年來組織的國際社群始末，從最近2020/2021在工藝中心舉辦過的一個關於工藝和科技合作的線上駐村計劃—來自未來的朋友，到這次Maria Jose Rios 發起的I_C計劃中我的參與部份和其他藝術家的進度。也將介紹在本次展覽的作品中如何執行雷射染作品和其他數位作品中的天文資料視覺化，以及如何利用當代天文座標定義印加暗星座的位置，並將其資料轉為織品印花等嘗試。
・Ricardo Vega 14:30 - 15:00
“數據作為審美體驗的材料”
數據可視化通常面向功能性和分析性表示，面向對數據的理性和高效理解。 但是有機會探索其他的表徵視角，為個體主體性的表達提供空間。 在這個簡短的演講中，里卡多將展示他通過利用天文數據進行圖像創作來探索主觀美學方法來創建藝術項目的過程。
・Maria Jose Rios 15:00 - 15:20
“VESTIBLES ＆ I_C Project”
Vestibles 是一個研究、開發和教育平台，成立於 2015 年，其提議包括讓人們更接近分析和思考當代文化空間中服裝與新技術的交集，以及其政治、社會和經濟影響。Vestibles尋求更新、促進和傳播跨學科領域，指出教育本身正在發生變化，因為項目發展的學科交叉的產生正在突飛猛進，這種現象正在影響我們的生活，作為我們日常生活的一部分安頓下來。因此，通過研討會和國際會談的形式，可穿戴設備推出了具有新技術的新探索工具，使各種商業項目和更具實驗性的項目能夠開發、應用和擴展關於什麼是可穿戴技術和交互界面的知識，一個工作和推測的領域，可以在我國產生一個有趣的社群，對未來可能的研究、產品和教學設計和工程的方式，從服裝或紡織品中獲得和豐富研究方法的研究方法比提到的更多，例如表演藝術家和建築師。南美洲以其偉大的紡織傳統和行業經驗脫穎而出，尤其是在紡織傳統方面，這一元素可以通過結合手工藝品的新實踐、方法和技術來增強當地的創造力。
(10 分鐘中場休息)
・松 下 聡 樹 16:00 - 16:30
“ALMA, 黑洞, 以及他們和藝術的關系”
ALMA（阿塔卡馬大毫米/亞毫米陣列）是世界上最大的毫米波/亞毫米波干涉儀，位於智利北部的阿塔卡馬沙漠。 它現在產生了許多美麗的恆星和星系天文圖像。 最近，它還加入了事件視界望遠鏡（EHT）的觀測，並首次與全球其他毫米/亞毫米望遠鏡一起展示了黑洞陰影圖像。 在本次演講中，我將解釋 ALMA 和 EHT 是什麼，它是如何工作的，到目前為止已經取得了哪些圖像，以及與藝術的關係。
・Shih Wei Chieh 14:00 - 14:30
“Having Friends in the Future, I_C Project, Tribe Against Machine, Laser Dye Project”
I’d love to introduce the international communities I have known in the recent year and the events we organized together. From the Having Friends in the Future 2020/2021, an online residency I organized with National Craftsmanship Research Design Institute (NTCRI). I will then introduce my part in this collective project I_C project and the current progress of other artists in this project too. The last part I will explain my attempts in the works in this exhibition, including how I implement my technique “Laser Dye” in the works in this exhibition to data visualization the FITS datas from ALMA and Gaian archive.
・Ricardo Vega 14:30 - 15:00
“Data as material for an aesthetic experience”
Data visualization is usually oriented to functional and analytical representations, which are oriented to the rational and efficient understanding of data. But there is an opportunity to explore other perspectives of representation, giving space for the expression of individual subjectivity. In this brief presentation, Ricardo will show his process on creating art projects by taking astronomical data for image creation to explore a subjective aesthetics approach.
・Maria Jose Rios 15:00 - 15:30
“Art, design, creation. education, technologies: multidisciplinarity”
Visual artist from the Finis terrae University (1998), she has developed installation and painting projects, participating in different collective and individual projects. She began by exploring the dematerialization of painting, the installation, and then dedicating herself to the wardrobe as a support for artistic discourses.
From there she has continued to explore the possibilities of clothing as a second skin, incorporating elements of analog and digital electronics. Today she investigates the idea of wearables as a third skin that amplifies the senses and ways of relating to others. In 2015, the Vestibles event on art, technology and clothing took place, with international and national guests, achieving great local and Latin American repercussions, publishing a magazine with reflections on the subject. She lives and works in Santiago de Chile as the founder of the Vestibles platform, generating networks, dissemination, classes, publication and research from various technological and theoretical levels.
（10 mins break ）
・Satoki Matsushita 16:00 - 16:30
“ALMA, Black Hole, and Relation with Art”
ALMA (Atacama Large Millimeter/submillimeter Array) is the biggest millimeter-/submillimeter-wave interferometer in the world, located at the Atacama Desert in northern Chile. It now produces a lot of beautiful astronomical images of stars and galaxies. Recently, it also joined in the Event Horizon Telescope (EHT) observations, and showed the black hole shadow image for the first time with other millimeter-/submillimeter telescopes all over the world. In this talk, I will explain what ALMA and EHT are, how it works, what images have been achieved so far, and relation with art.
【講者介紹】
・Maria Jose Rios
來自 Finis terrae 大學的視覺藝術家（1998 年），她開發了裝置和繪畫項目，參與了不同的集體和個人項目。她從探索繪畫、裝置的非物質化開始，然後將自己奉獻給衣櫥作為藝術話語的支持。
從那以後，她繼續探索將服裝作為第二層皮膚的可能性，並結合了模擬和數字電子元素。今天，她研究將可穿戴設備作為第三層皮膚的想法，它可以增強感官和與他人的聯繫方式。 2015 年，舉辦了關於藝術、技術和服裝的 Vestibles 活動，國際和國內嘉賓參加，在當地和拉丁美洲產生了巨大的反響，出版了一本關於該主題的雜誌。作為 Vestibles 平台的創始人，她在智利聖地亞哥生活和工作，從各種技術和理論層面構建網絡、傳播、課程、出版和研究。
Visual artist from the Finis terrae University (1998), she has developed installation and painting projects, participating in different collective and individual projects. She began by exploring the dematerialization of painting, the installation, and then dedicating herself to the wardrobe as a support for artistic discourses.
From there she has continued to explore the possibilities of clothing as a second skin, incorporating elements of analog and digital electronics. Today she investigates the idea of wearables as a third skin that amplifies the senses and ways of relating to others. In 2015, the Vestibles event on art, technology and clothing took place, with international and national guests, achieving great local and Latin American repercussions, publishing a magazine with reflections on the subject. She lives and works in Santiago de Chile as the founder of the Vestibles platform, generating networks, dissemination, classes, publication and research from various technological and theoretical levels.
・施惟捷
施惟捷從事可穿戴藝術、電子紡織品、DIY雷射工程等領域的工作，他還是一位自學的材料研究者。 他在2015年的雷射染計劃是關於如何結合雷射光學和傳統的氰版顯影來製造紡織圖案，這激發了他對材料科學、古代工藝與新媒體藝術的合作，以及尋找其背後的社會性意義的興趣。 他是部落對抗機器計劃（Tribe Against Machine）的發起人，該項目旨在為古老工藝練習中的材料設計尋求靈感。 他目前的研究方向是如何用DIY方法和現代適切（modern appropriate technology）技術的手段製作用植物染料製成的光敏紡織品和太陽能電池。 此外，他正在探索一個獨立的，關於植物和使用植物染料太陽能共生的地球溫室系統（earthship）。
Shih Wei Chieh works with wearable art, e-textile, laser audiovisual, he’s also a self-taught material researcher. His “Laser Dye” Project in 2015, innovate how to print textile pattern by laser projection and cyanotype, which inspire his interests for material science and the collaboration between ancient craftsmanship and new media art, as well as the sociological mean behind the scene. He’s the founder of “Tribe Against Machine”, a project seeks inspiration for material design in ancient practices. He is current research is about how to make photosensitive textile and solar cell made with plants dye in DIY method and the mean of modern appropriate technology. Further more, he is exploring a self-standalone earthship greenhouse system which can be solar powered by plants dye.
・松下聰樹
松下聰樹是中央研究院天文學與天體物理研究所 (ASIAA) 的研究員。 他目前是格陵蘭望遠鏡（GLT）的項目負責人，以及事件視界望遠鏡（EHT）台灣團隊的代表。 他之前是 ALMA 的委託科學家，2010 年至 2011 年間曾在智利居住，以使 ALMA 從實驗工程階段轉變為可正式運作階段。 在這個 I_c 項目中，他提供了有關 ALMA 和干涉測量的建議。 他還是 ALMA 長期基線活動的專家訪問者，並使 ALMA 能夠獲得非常高的空間分辨率圖像。
Satoki Matsushita is a Research Fellow at the Academia Sinica, Institute of Astronomy and Astrophysics (ASIAA). He is currently a project leader of the Greenland Telescope (GLT), and a representative of the Event Horizon Telescope (EHT) Taiwan team. He was a Commissioning Scientist of ALMA before, and used to live in Chile between 2010 and 2011 to make the ALMA from the delivered engineering quality to observable with science quality. In this I_c project, he gave advice about ALMA and interferometry. He was also an Expert Visitor of ALMA for the long baseline campaigns, and made the ALMA possible to achieve very high spatial resolution images.
・Ricardo Vega M.
Ricardo Vega M.是設計師、藝術家、程式設計師和文化管理者。研究技術、藝術、設計、科學哲學、信息可視化和數據科學。他開發連接數據、圖形和代碼的計劃。他在設計學院任教，並且是智利天主教大學數據可視化文憑的主任。他是 C80.cl 計劃的創始人，該計劃自 2015年以來使用可視化來支持對 1980 年智利憲法的理解。他參加了智利、阿根廷、巴西、西班牙、愛沙尼亞等地的展覽、會議和演講。 他在智利聖地亞哥生活和工作。
Ricardo Vega M. Santiago, Chile
He is designer, artist, programmer and cultural manager. With studies in Technology, Art, Design, Philosophy of Science, Information Visualization and Data Science. He develops projects linking data, graphics and code. He teaches at the School of Design, and is director of Diploma in Data Visualization, Catholic University in Chile. He is the founder of C80.cl, a project that since 2015 uses visualizations to support the understanding of the Chilean Constitution of 1980. He has participated in exhibitions, conferences and presentations in Chile, Argentina, Brazil, Spain, Estonia, among others. He lives and works in Santiago, Chile.
