2021 ART EXCHANGE ONLINE FORUM
#線上學習
#恢復情感連結
一同找出疫情期間藝術教育的關鍵字
*Please scroll down for English version.
計劃介紹
延續視盟2020年的當代藝術機構線上對談計畫，2021 年，我們仍處於疫情持續侵擾的情況下，本系列對談以「與疫情共存的未來」為題，我們將關注疫情對藝術與社會的影響，分別從社區藝術實踐、藝術教育推廣及駐村交流等主題式討論。探討在病毒危機之後，藝術機構如何找出「新常態」下的生存方式。藉由邀請國內外藝術機構代表，分享他們的「與疫共存」策略。
5 月至 7 月期間，將舉辦三場系列對談，由蘇瑤華教授擔綱主持，邀請國內外藝術機構經營者進行討論。對談以英文為主，僅開放30名觀眾全程參與和講者提問交流，名額有限，請儘早報名以免向隅！
主持人介紹
蘇瑤華（台灣視覺藝術協會 理事長）
蘇瑤華為藝術經理人、策劃人、教育者，具有多年國際交流與空間經營經驗。曾策畫主持多場國際研討會，包括策畫2012年大學博物館國際合作論壇「大學博物館的新啟蒙運動」、主持2014年「集結台北想像力，共創城市新價值」創意城市國際研討會計畫；主持2016年第一屆藝術資料庫國際研討會。2021年起擔任台灣視覺藝術協會第十三屆理事長。
Session 4 疫情下的藝術教育轉向
本場座談主題旨在討論在疫情的侵擾下，藝術教育此刻的意義為何？能帶給人們的價值是什麼？ 在不穩定的局勢下，我們如何轉變實踐方式，回應社會、政治及環境，促進社群交流及參與？本次邀請到 Varsányi Szirének 成員 Eszter Kállay 、Drugo more 總監 Davor Mišković 以及《義家藝館》教育性藝術計畫策展人吳岱融分享在疫情時代，藝術教育計畫在執行上的轉變，以及未來的實踐方向。
活動時間：2021/6/11 FRI. 18:00-19:00
與談講者及機構介紹
◆Eszter Kállay (Varsányi Szirének 成員)
Eszter Kállay 是一位來自布達佩斯的詩人、社會工作者與藝術家。主要關注藝術研究方法、女性主義運動以及批判教育學，她目前與難民團體一同工作於布達佩斯的非政府組織，透過藝術作為中介從而促進對話和知識交流，以及藝術教育的方法進行社群建構。2021年，她將前往德國海勒勞，成為 Artist-in-Garden 駐村計畫的駐村藝術家，並加入其中的參與式教育工作坊計劃，探討性別在環境和社會建構上的相互關係。
◇Varsányi Szirének
Varsányi Szirének（意為從瓦爾沙尼來的海妖）是一個來自布達佩斯的國際性女聲合唱團。Varsányi Szirének的成員處於晚期資本主義的經濟蕭條年代，這種參與式的藝術實踐平衡了較為疏遠，且個人主義充斥的藝術圈。他們的宗旨是「每個人都能唱」，且因一同歌唱而創造出社群連結。課程旨在使參與者找到彼此所選主題相關的共同點，從而在音樂催化之下賦予抽象概念有效的意義，過程中特別強調彼此合作以及共同創作的能力。
◆Davor Mišković (Drugo more 總監)
Davor Mišković 是一位社會學家，他的作品多與文化議題有關。他從事研究、文化政策及藝術創作。在 1997 到 2004 年間，他在克羅埃西亞文化部擔任國際文化交流顧問。2004 年起，他開始擔任藝術機構 Drugo More 的總監，研究、設計與主辦文化計畫（Art & Clubbing, Mine, yours, ours, Reflex）、藝廊（SIZ Gallery、DM Gallery）、節慶活動（Mediterranean Games、Zoom)、大型會議、研討會和工作坊等。此外，他也與當地政府合作，以建置策略性文件提升文化系統，記錄伊斯特里、普拉、拉賓、帕津協同發展的文化策略及其背後思想。他也任教於義大利里耶卡的哲學學院，以及位於里耶卡和克羅埃西亞斯普利特的應用藝術學院。
◇Drugo more
Drugo more（意為另一片海洋）是一個機構組織、一群一起共事的人。組織的界限有別於我們的評斷標準，且它們會隨著不同標準運作。它維持著難以捉摸的狀態，即使對Davor Miškovi，公認對Drugo more了解最深的人來說也是如此。Drugo more的成員中，有些人是全然處於這個組織中；其他人則只有短暫的、偶爾的，僅占他們人生的一小部分。有些人已經在這裡待了非常長的一段時間，有一些人只是短暫停留，也未再回來過。但所有人都在某個時間點影響了組織的決策：他們的作品、想法以及情感形塑了Drugo more對於所處環境的回應。
Drugo More已在文化圈中活躍了將近20年。在這段期間，發掘主題與編寫人才、支持在地藝術製作、連接克羅埃西亞和世界各地、進行研究並分享有助於克羅埃西亞文化發展的寶貴經驗。
◆吳岱融（《義家藝館》教育性藝術計劃 策展人）
吳岱融為美國賓州州立大學藝術教育與女性研究雙學位博士、國立臺南藝術學院博物館學碩士，現為國立臺北藝術大學藝術與人文教育研究所助理教授。2014年起於臺北榮譽國民之家推動《義家藝館：教學暨創作計畫》，實踐「教師即藝術家」兩者身分的共棲與疊合，試圖從藝術學院脈絡建立藝術教育的當代論述。
◇義家藝館
《義家藝館》教育性藝術計畫自 2016 年迄今，透過結合田野調查、史料比對、藝術實踐與教育互動的展演發表，將富含歷史紋理的臺北榮譽國民之家，翻轉為一座生態博物館。六年來，計畫發表場域歷經半日展、館外展與線上展，計畫內容也逐年擴充，衍生出「圓桌藝家談」與「藝術家教師駐館計畫」，但作為教育性藝術計畫，《義家藝館》更著重藝術計畫概念中的教育性，讓藝術實踐成為想像教學法的輪廓，具體回應生活中真實上演的社會議題。
活動議程
18:00 對談主題及講者介紹
18:05 案例一 w/ Eszter Kállay
18:15 案例二 w/ Davor Mišković
18:25 案例三 w/ 吳岱融
18:35 交流討論
18:50 Q&A
*本場對談語言以英文為主。
About the Project
As the second phase of AVAT Art Exchange Online Forum, with the pandemic continued ravaging this year, the project is titled as ''Future scenarios for the Arts after pandemic''. We'll be focusing on impacts of pandemic on arts and society via panel discussions, with topics from community art practice, promotion of education on art and culture to residency.
Also, we'll look into how art orgianizations try to find a way out during the "new normal era" after the outbreak and through inviting representatives of art organizations at home and from abroad to share their "virus-coexisting" strategies.
Three discussions will be held from May to July. Prof. Su Yao-Hua will be the moderator, inviting operators of art organizations from different countries to the discussions. Discussions will be presented in mainly English. Only 30 audiences will be able to participate in full discussions and Q&A sessions. The ticket is limited, book now to avoid disappointment!
About the Moderator
Su Yao-Hua (Chairperson of Association of the Visual Arts in Taiwan)
Su Yao-Hua is an art manager, curator, and educator. She has years of experience in international communication and space managing. Moreover, she planned and moderated multiple international seminars, including planning the University Museum International Cooperation Forum in 2012 and moderating the Creative City International Symposium Project in 2014 and the First International Symposium on Art Archives in 2016. Since 2021, Prof. Su Yao-Hua has been the Chairperson of Association of the Visual Arts in Taiwan.
Session 5 The Turns of Art Education
Seesion 5 will be focusing on Art Education during the pandemic era. What will the art curriculum look like in the future? Which role do art institutions play in coping with current global and regional challenges? We are planning to invite the art institutions, one from Taiwan and the other two from overseas, to share the ideas to the challenges of pandemic. Eszter Kállay, the member of Varsányi Szirének (Syrens from Varsány) from Hungria, Davor Mišković, director of Drugo more (The Other Sea) from Croatia, and Wu Dai-Rong, curator of When a Home Becomes a Museum Art Project from Taiwan, are invited to share their strategies and transitions during post-pandemic era.
Date & Time: 2021/6/11 FRI. 18:00-19:00
About the Panelists and Their Organizations
◆Eszter Kállay (Member of Varsányi Szirének)
Eszter Kállay is a poet, social worker and visual artist based in Budapest. Her main interests include artistic research, feminist activism and critical pedagogy: she currently works at an NGO with members of the refugee community in Budapest, using the tools of art education and art mediation for community building. In 2021, she will be a resident artist at the Artist-in-Garden Residence in Hellerau as part of a collaborative pedagogical workshop focusing on the interrelation of environmental and social constructions of gender.
◇Varsányi Szirének (Syrens from Varsány)
Varsányi Szirének (meaning Syrens from Varsány) is an international all-female amateur choir based in Budapest. In their times of depressive late capitalism, this collective practice compensates for more alienating, individualistic artistic practices that are now dominating the art world. Their principle is that everyone can sing and that singing together creates a community.
The pedagogical goal of their sessions is for participants to find a common ground in relation to a topic of their choice, thereby filling an abstract concept with meanings valid for them with the help of musical tools. During the sessions, cooperation and the skill of community creation gets great emphasis.
◆Davor Mišković (Director of Drugo more）
Davor Mišković is a sociologist by education, and his work is related to culture. He is engaged in research, cultural policies and artistic production. From 1997 to 2004, he worked in the Ministry of Culture as an advisor for international cultural cooperation. Since 2004, he has been director of arts organization The Other Sea. In The Other Sea, he conducted research, designed and led cultural programs (Art & Clubbing, Mine, yours, ours, Reflex), galleries (SIZ Gallery, DM Gallery), festivals (Mediterranean Games, Zoom), conferences, seminars and workshops.In addition, he worked with local governments to improve the cultural system through the development of strategic documents, coordinated the development of cultural strategies of Istria, Pula, Labin and Pazin. He lectured at the Faculty of Philosophy in Rijeka and the Academy of Applied Arts in Rijeka and Split.
◇Drugo more (The Other Sea)
Drugo more (The Other Sea) is an organization, a group of people working together. The boundaries of this group differ depending on the criteria we apply, and according to each criterion they are in constant motion, so they remain elusive even to Davor Miškovi, arguably the person most informed about Drugo more. Some of them are present in Drugo more with our whole being; others only temporarily, occasionally, with a smaller part of themselves. Some have stayed here for a very long time, others have passed through without looking back. But all those people influenced the organization’s determination at some point in time; their work, thoughts, and feelings shaped the Drugo more’s responses to its environment.
Drugo more has been active in the field of culture for 20 years. During that period, they discovered themes and authors, supported local art production, connected Croatia with the world, researched and shared experiences that contributed to the cultural development of Croatia.
◆Wu Dai-Rong (Curator of When a Home Becomes a Museum Art Project)
Wu Dai-Rong is currently an assistant professor in the Graduate Institute of Arts and Humanities Education at the Taipei National University of the Arts. Her research focuses on socially engaged art as pedagogy, and what/how knowledge is produced in this art-making/learning process. As an artist-teacher, Wu has launched the pedagogical art project, When A Home Becomes A Museum, at the Taipei Veterans’ Home since 2014. Through theorizing from practice, she builds up discourse on contemporary art education in the context of universities for the arts.
◇When a Home Becomes a Museum
Since 2016, Wu Dai-Rong and her students at the Taipei National University of the Arts (TNUA) have collaborated with the Taipei Veteran’s Home (TVH) in conceptually transforming the TVH into an ecomuseum through a pedagogical art project, When a Home Becomes a Museum.
When a Home Becomes a Museum evolved through artist journals, fieldwork and on-site interviews to continuously accumulate content and form narratives for the half-day exhibition of the same name. Subsequently, two programs—the TNUA X TVH Roundtable and the artist-teacher-in-residence programme—were added to the project in 2018 and 2019 to facilitate internal conversations within the TVH community and improve communication with an external, invitation-only audience. Due to Covid-19, the half-day exhibition was curated and executed at the TNUA as an off-site exhibition. This year, the exhibition and interactive activities were taking place online. This talk will share how pedagogical spaces can be created through various artistic practices within the project.
Agenda
18:00 Introduction of the Topics and Panels
18:05 Case 1 w/ Eszter Kállay
18:15 Case 2 w/ Davor Mišković
18:25 Case 3 w/ Wu Dai-Rong
18:35 Communication & Discussion
18:50 Q&A
*The Discussion will mainly be presented in English.
