亦宛然掌中劇團—宛然劇場《巧遇姻緣》
I WAN JAN PUPPET THEATER — A Chance Encounter Leads to Marriage
｜節目資訊 Information｜
- 製作團隊Production Team｜亦宛然掌中劇團I WAN JAN PUPPET THEATER
- 節目名稱Program｜宛然劇場《巧遇姻緣》A Chance Encounter Leads to Marriage
- 演出日期Date｜2019.10.04 Fri. 19:30
- 票價Price｜NT$ 500，含《永樂春風茶館》茶點
｜節目介紹 Project Content｜
＜亦宛然＞經典名戲《巧遇姻緣》，是偶戲藝術的精緻呈現，於美國紐約演出時，曾被《紐約時報》譽為「神乎奇技，前所未見的驚奇」。全劇沒有任何口白，但卻能夠讓您透過生的折扇、旦的撐傘、末的抽煙、丑的躺椅等細膩動作，及打藤牌、轉盤等熱鬧武打，帶領欣賞者進入傳統布袋戲的奇妙世界裡。
花花公子杜興與家僕上街觀賞江湖賣藝表演，恰巧潘榮也帶著女兒潘玉枝也來到街上。杜興見到潘玉枝容貌頗佳，於是心生歹念，潘榮年老無力只能沿街呼救。
文武雙全的書生蕭金俊見潘榮喊救，問明原因後，便要上前解救潘玉枝......
“A Chance Encounter Leads to Marriage (read as “Qiao-Yu-Yin-Yuan), ” an opera classics by “I Wan Jan” finely presents hand puppet show’s art. When the show was performed in New York, U.S., the review on New York Times stated “fantastic and amazing show that was never seen before.” The whole show is played in silence, however through Sheng’s folding fan, Dan’s umbrella, Mo’s smoking, Chou’s deck chair, and bustling martial arts such as waving rattan shield and switching plates audiences are brought into traditional hand puppet show’s wonderful world.
The Play boy, DU-Xing, and his servants go into the street to watch entertainer’s shows. By chance, PAN-Rong also brings his daughter, PAN Yu-Zhi, to the street. When Du-Xing sees the beautiful PAN Yu-Zhi, he has evil intents and wants to do bad things to her. PAN-Rong is too old to do anything, but only calling for help. XIAO Jin-Jun, a scholar who is well versed in both polite letters and martial arts, hears PAN-Rong and after hearing the reason he goes to the front and is going to save PAN Yu-Zhi.
｜藝術家/團隊簡介 Introduction of Performer/ Troupe｜
亦宛然成立於1931年，創團團長李天祿以掌中戲偶宛然若真之意為名。李天祿的演出融入豐富的京劇元素，戲界以「外江派」稱之。
1953，李天祿率領亦宛然參加全省布袋戲比賽，連續二十多年奪得北區冠軍。七零年代未期，亦宛然開始受邀至世界各地演出，足跡遍及歐亞美非等地，成功地宣傳了台灣的傳統布袋戲，成為國際知名的劇團。同時，李天祿帶領亦宛然的前後場師父，投入板橋莒光國小的布袋戲薪傳工作，開啟了校園學習布袋戲的新興風潮，也使得傳統布袋戲能得以持續向下紮根。
1998年，李天祿逝世，由李天祿次子李傳燦接任團長，除了延續父親未竟的薪傳推廣外，各種保存、紮根及創新的工作也未曾懈怠。2009年李傳燦逝世，由妻子李蔡素貞接任團長，並帶領第四代年輕弟子繼續在傳藝之路上精進。
“I Wan Jan” was established in 1931. The founder, Li Tien-lu used the name “I Wan Jan, because he wanted the public know that the hand puppet was as vivid as real man. Li Tien-lu’s performance blended in rich Beijing Opera elements, so the opera circles called his sector as “Wai Jiang Pai.”
In 1953, Li Tien-lu led “I Wan Jan” to participate in national hand puppet show contest; they have won championship of the northern area for more than twenty consecutive years. At the end of 1971, “I Wan Jan” began to perform around the world on invitation; theur tracks extended all over Europe, Asia, America, and Africa. They successively propagated Taiwan’s traditional hand puppet art and became an internationally noted troupe. At the same time, Li Tien-lu led all masters before and behind the curtain to invest in the hand puppet show inheritance works in Jeu-Guang Elementary School in Banciao, creating a new trend of learning hand puppet show artistry in campus and continuously rooting the art of traditional hand puppet.
Li Tien-lu died in 1998. His second son, Li Chuang-tsain succeeded to be the curator. Besides continuing his father’s unfinished inheritance works, he never neglected any kinds of preserving, rooting, and innovating works. Li Chuang-tsain died in 2009; his wife, Li-Tsai Su-Chen, succeeds to be the curator and leads the fourth generation young students to continuously make progress in passing on hand puppet art.
｜製作團隊 Production Team｜
亦宛然現任團員由第三代及第四代組成，前場由第四代二位默契絕佳的表兄弟李奕賢、張家銘負責。二位年輕演師為李傳燦藝師之孫，自幼耳濡目染，並先後加入在地的三芝國小、三芝國中「學宛然」布袋戲社團，於2011年成為亦宛然前場演師，至今參與逾300場以上的演出及教學。有別於傳統布袋戲主演制的演出慣例，二人會於演出中分別負責不同角色的操偶及口白，成為演出時的一大特色。
後場部份，擔任指揮鼓佬的張家碩同為李傳燦藝師之孫（張家銘之弟），自幼對鑼鼓展露興趣及天份，目前就讀於國立臺灣戲曲學院，並拜師於京劇鑼鼓名師楊軍門下。
｜主辦單位 Organizer｜
大稻埕國際藝術節（Tua-Tiu-Tiann International Festival of Arts, 簡稱TTTIFA）為民間發起的獨立藝術節，由Bookstore 1920s、蔣渭水文化基金會及思劇場共同發起，結合許多深耕大稻埕的文化單位，以號召1920年代「狂騷」精神為宗旨，每年10/1-10/31在大稻埕全區舉辦各式展演活動，包含主題節目、系列講座、齊聚街區以及最具知名度的時空劇場－1920變裝遊行。透過創新實驗表演連結在地歷史文化，大稻埕國際藝術節期待成為國內外創作者匯聚交流的平台，讓這個人人手中長出來的藝術節掀起下一波臺灣文化運動的浪潮。
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